For example, if you shoot your video at 60fps and edit at 24fps, you will be able to slow your footage down by about 60%, meaning that the footage will play back at 40% of its original speed. Considering that most video projects are edited and mastered at 24fps, those higher frame rates offer a bunch of extra frames to create very pleasing slow motion. As I write this article, some of the most powerful mirrorless cameras on the market can shoot 6K video in up to 60fps (very high-end cinema cameras), 120fps at 4K resolution, and up to 240fps in full HD or 1080p video (professional mirrorless and DSLRs). In order to use slow motion effectively you must do one of two things: Record your video with the slow motion applied to clips in camera (slow and quick record modes) or shoot with more frames per second than your planned editing project timeline (higher frame rates).īecause of the complexities involving processing power, heat dispersion and limitations of your specific camera, you may have a limited number of options when recording slow motion video. In essence, you can place any clip of video on an editing application timeline and apply a speed change filter to slow it down, but if you don’t have more frames than a single second of digital time, you will end up with a slowed-down clip of video, which stutters to skip frames. You must, however, have your end project format in mind in order to decide how you will go about utilizing slow motion correctly. Nearly all of today’s amazing DSLRs and digital mirrorless cameras have the ability to either shoot slow motion in camera or have the ability to record in faster frame rates that allow you to create dynamic, high-quality slow motion in post-production. We can then use extra frames to “stretch time.” Instead of a rotating film reel, we have a digital editing timeline that gives us a set amount of frames. Today’s digital editing workstations handle these extra frames in a similar fashion, albeit digitally. Filmmakers would speed up the film in camera, thereby creating more frames for a particular shot, and then rotate the film reel back at a slower rate to create slow motion. We now had the ability to slow down our footage using a technique known in the celluloid film world as over-cranking. But when 24p became a popular format around 2002 for amateur and professional digital filmmakers alike, a new door was opened. Back then, the analog and early digital cameras available supported very limited standard frame rates like 30fps (25fps if you were using the European PAL standard). I’ve used it to make my films more emotional, more dramatic, and even to fix some in-camera issues like shakiness, allowing me to focus on using the best part of a shot. You can turn off auto-renew at any time from your iTunes account settings, but refunds will not be provided for any unused portion of the term.Everything You Need to Know About Shooting Slow Motion Video with Rob AdamsĮver since I started editing wedding films back in the early 2000s, I’ve utilized slow motion. Your Slow Motion Video subscription will automatically renew at the end of each term, and your credit card will be charged through your iTunes account. Pricing in other countries may vary, and actual charges may be converted to your local currency depending on your residence. This price is for United States customers. Slow your videos down to show off your true sports technique. Share your Slow Motion creation on Instagram. Choose from over 40 color filters to make it pop. Select the moments you want to speed up or slow down. Edit video speed up to 240fps or 12x faster or Slower. Choose from your library or record a new one with the camera. Add music and filters, then share your hilarious Slo Mo Video on Instagram! Make super slow-motion videos with Slo Mo Video! From your library or the camera, choose moments to speed up or slow down. Slow Motion Video Editor is a powerful slow motion & fast motion video editor that allows you to control your video's speed as you want.
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